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May Nell was not taken to her father; he came to her. Edith’s pictures of the little girl fulfilled their mission; they met him as soon as he landed from South America. He had been a busy man during those few days; had found not only his child but his wife, ill in a country sanitarium; where, for weeks after the earthquake and fire had, she supposed, swallowed her little daughter, she lingered, praying only to die. Now with husband and child both saved to her, she was fast growing well; needed only their presence to complete her recovery. St. Elmo clapped his tiny hands and asked for “Moah,” while Norah Bliggins, who had been almost petrified when she heard the voice of Mrs. Wopp, sat hoping no one would ask her for the golden text. She was devoutly thankful that she could get up from her cramped position. A wide lath in the upturned box which served as her seat had broken and she had sunk deeper and deeper until her chubby chin and knees were in close proximity. It required the united efforts of Maria and Betty to extricate the unfortunate child. The doll was safe, however, and with fortitude worthy of emulation still smiled although sawdust again trickled from her re-opened wound. Henry started up a lusty crowing and Moses began to whistle while Betty uncovered the windows and made other preparations for leaving the loft. Several of her pictures had been spoiled by the rain and the box reduced to a soft pulpy mass. “Orl right, Mar,” answered Moses, dutifully, his mouth watering in anticipation of the goodies in prospect..

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Rational people laughed at these stories, declared them the fancies of brains fuddled by too long a stay at the saloons in town. But Billy was not so easily satisfied. He wished to see for himself those shadowy forms; to prove to the small, scared children that, contrary to general belief, the brothers sometimes had guests. And he had a queer feeling that some way the house would have a place in his life. He admired its gloomy grandeur; planned the additions he would make if it were his own, and the gardens, the hedges of roses, and banks of fragrant smilax, that should grow there. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. Billy took no heed of time till he saw the man above shoulder his hoe, pick up his wine jug, and start down the hill. At that Billy’s heels grew swift. He scurried out of his hiding place, slipped rapidly through the brush, found his wheel, and bowled off. No languor or heaviness now in body or mind. Every atom of him was alert as on the night of the opera, yet not so normally alert; for the evil atmosphere of the place was in his soul, filling his teeming brain with imaginings of many crimes. So a little church had been built there. The four walls of peeled logs carefully chinked with plaster were now grey and weathered. Inside of the building the red-draped altar, pulpit and reading-desk occupied at least one-third of the available space. There were pews to seat a score of people and behind these was a large heater. The uneven walls were whitewashed. In the windows, three on each side, were alternate blue and white panes of glass..